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Donmar Warehouse – Theatre wayfinding scheme

‘Peeling back the past’ to expose the history of the building

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Located in and amongst the historic Seven Dials ‘village’ at the heart of Covent Garden, London’s Donmar Warehouse is a one-of-a-kind theatre. It has a global reputation for delivering outstanding productions and groundbreaking theatre, in what is a very intimate space.

Transformed into ‘The Warehouse’ theatre by the Royal Shakespeare Company in the late 1970s, it was rebuilt by Roger Wingate in 1990. Michael Longhurst became Artistic Director in 2019, and plans for renovations got underway and adapted due to the global pandemic.

This gave the Donmar Warehouse an unexpected opportunity to forge ahead with renovations, recently reopening in time for the winter season. As part of this refresh, Endpoint was brought in to create the wayfinding scheme.

Intimately better access to groundbreaking Theatre

Nevermore than four rows away from an actor, the auditorium of this not-for-profit theatre has a capacity of just 251 – creating an unparalleled and thrilling experience for theatre-goers. That sense of intimacy extends to the bar areas.

A key element of the new redesign was to improve community engagement. In fact, this was very much a project about opening up the space to make it accessible for a wider audience type, and more appealing to the local community and city workers.

Rather than a complete re-modelling, the focus was on refreshing what was already there by exposing and accentuating features of the building’s former past. But how do you peel back the past to prepare for the future?

Ghosts of the past with messages for the future

Refurbishment work focussed on opening up the building to make it more versatile and inviting as a public space, whilst acknowledging the building’s industrial heritage as a hop warehouse, and later as a banana ripening store.

So, our central design concept for the main navigational signage grew out of the idea of ‘ghost signs’ – signs from the past directly hand-painted onto the building. The ‘ghost signs’ idea tied in with the overarching concept of ‘peeling back the past’ to expose the history of the building whilst refurbishing it for modern audiences to move more easily between the front of house spaces and into the auditorium.

Alongside the signage, large-format images of past and present productions were directly pasted onto the building, like those on a billboard. This added to the sense of intimacy as the large images filled small spaces. For future productions, we utilised simple banners around the front desk, which can be easily changed as needed. We also created a new donor board – honouring patrons by adding their names to the wall in the reception area, taking its cue from the theatre’s surrounding aesthetic.

Endpoint was involved with the project from start to finish, and we engaged in a very collaborative way with each of the stakeholders. So it was satisfying to see the project come together, and the space reinvigorated when the theatre reopened.

“We are delighted with the final results of our wayfinding project with Endpoint. The team have demonstrated their immense expertise and creativity throughout, finding solutions to challenges created by a small building, time and budget constraints and multiple stakeholders. This is the first wayfinding project I have personally undertaken, and I am grateful for the team’s collaborative approach and support in guiding us through the process so effectively. The results are a clear and coherent signage scheme which really complements the design of the front of house spaces. I would highly recommend Endpoint.”
Abby Corfan, Director of Audiences at Donmar Warehouse
Exterior hero photo with lights around Donmar Warehouse sign by Richard Davenport
Exterior hero photo with lights around Donmar Warehouse sign by Richard Davenport

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